Death is all around you, little bat.........................
As Bruce surges from one stage to another in his quest to
stop everything that plagues Gotham, the past will be revealed and futures will
be decided.
With Gotham highlighted as the bleak city it is, with people
more concerned with saving themselves than upholding the common good, Capullo
captures all the grim insanity inside the people of Gotham.
Snyder provides fresh twists and hints toward a very
different past of the Wayne murder. While I will reserve my judgement of one
development until I know more, Gotham has never felt more beyond saving and
Bruce more vulnerable than this issue.
SPOILERS FOLLOW..................
We first take a glimpse into the past as we find a very young
Bruce Wayne seeing Zorro in an empty hall when Gordon comes in (the film-reel paneling is brilliant!). First off, I
have to say I like that Snyder has kept the Zorro bit in there as it’s a very
big part of the batman mythology (see the end of Batman RIP).
It also seems like Snyder is expanding on the young Bruce –
Gordon dynamic (which seems to also be the case with the new Gotham show) by
making them interact more before the murder.
Then, in a series of scenes reminiscent of Batman RIP, we
shift from a closer past to the current stage where Fox apparently gave Bruce
an antidote to Death’s serum. As we get some interesting biological facts from
Death (Snyder really seems to be highlighting everyone’s quirks in this way),
Gordon arrives at the scene.
As much as I must commend Capullo for the really terrifying
visuals, it is Snyder who gives flesh and bone (pun intended) to Death. Even as
he breaks Bruce’s head, he’s mouthing off factoids about bone maturity.
Again we flashback to the past as we see Bruce trying to
fight the angst in him before coming back to the present as we find that Bruce
is in a hospital, Death is in the wind and Alfred is on the scene.
As Gordon arrives, we get more light on their first meeting.
Bruce is heart warmed to see the policemen (Gordon and Dan Corrigan. Corrigan
seems to be similar to the one who killed Crispus Allen during Infinite Crisis)
as they stop at a place and Corrigan returns with very good trench coats and
dresses. Never suspecting there is anything sinister to it, he believes the people
gave Corrigan those for being so helpful.
Now knowing better, Bruce lashes out at Gordon and leaves
the hospital. While I hope Bruce saw only one side and Gordon has his own story
to tell, a corrupt Gordon still seems a little too much.
Knowing that Death is targeting
his research team,(and Gordon gets a Riddle card at the hospital) he arrives at Dr. Deeds’ place where it is already too late.
And sadly, the police arrive at the same time and we get a graphic shot of
Bruce getting ‘riddled’ with bullets.
Things must get worse before they get better.
SPOILERS END.......................................
With things looking bleaker and bleaker for both Gotham and
her special son, it will be interesting to see how the Riddler story comes in
full force and more reveals of the past.
If it had been a retread of the normal boy-over-dead-parents
scene, I would have been disappointed.
But Snyder is giving a more layered
twist to it, and I wish for more past and present at the same time.
With great pencils from Capullo and some great plot pacing
from Snyder, this is an engrossing read. If you like good comics, pick this up!
So, I give it 9.5 out of 10.
+Death is really terrifying
+Gordon-Bruce dynamic given more layers
+Some really good sinister dialogue from Snyder
+A well known past given fresh twists
-Still on the fence about some Gordon centric reveals
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