Good to be the hero.
You know that feeling you get when you think you’re doing
something right, while everyone says you’re not. What happens when ‘you’ and ‘everyone’
are the same person?
This is a complicated situation, no questions about it. We empathize
with the protagonist and even with some of the other characters in the book. But
for everyone, it seems it’s the end that justifies the means – the ‘supers’,
the humans…all.
Barbiere is taking a divisive stand but manages to remain
neutral, even as the protagonist’s thought bubbles pop up at every step of the
way.
Victor Santos’s pencils stay with the Cooke feel and goes
right along with the story, especially in creating deeper canvases for
flashbacks and quick exposition.
SPOILERS FOLLOW……………
We go to a short while back, as we see Raymond and a fellow
doctor perform a post mortem of a unique nature – a bank robber killed with a
giant hole where his chest used to be.
It’s hard not to sympathize with Raymond and the dead corpse
lying there. The cold body on the slab was probably just trying to make ends
meet and he had to pay with his life for his crimes.
Back in the present, we see Ray preparing for a home
delivery when his bloodied brother arrives. We learn that at the warehouse,
things went badly with the captured ‘Super’ Hotspot and the other member is
dying.
Ray continues his descent as he smuggles drugs and medicine
out of the store house of the pharmacy even as his boss watches the news
running Hotspot’s disappearance.
It's striking that this is the only proper mention of Hotspot, given we never see his fate post-blood donation. It feels like the author is keeping the supers as a catalyst for Ray's transformation, and not fleshing them out and realizing the conflict between the two sides.
Biochem and Denny have a meeting with Biochem representative
Janine but due to the inferior quality of the sample, he is given a measly ten
thousand dollars.
This forces drastic measures as Denny decides to recruit
more muscle and connections to reach the supers, first coming across Albert aka
Bruiser.
We learn that Albert was one of the first non-powered heroes
(and his abilities parallel an early DC Wildcat) who got ‘replaced’ by the
supers. To prove his cred, he points out a drunk ‘super’ called the Electric
Lad.
Their approach leads to Lad attempting to escape, but his
passage through a flat is interrupted by the residents enraged at the ‘Super’s’
errant attacks.
Raymond, the only one left chasing him after the other two are
taken out, poses as a cop after knocking Lad unconscious by turning on the
sprinklers.
Coming back home, he is alarmed to see his wife chatting to two
of his ‘friends’ – police officers from the precinct.
SPOILERS END……………….
While keeping a neutral tone, the author ponders whether Ray
is doing something right or not. The focus is firmly on the human side, which
makes it a little biased but not without reason.
So, I give it 7.0 out of 10.
+Some good philosophical musing
+Great visuals
-Feels the viewpoint is a little lopsided
-The timeline jumping is a little jarring
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